DC Public Library System

Procession, the art of Norman Lewis, edited by Ruth Fine ; with contributions by David Acton [and five others]

Label
Procession, the art of Norman Lewis, edited by Ruth Fine ; with contributions by David Acton [and five others]
Language
eng
Bibliography note
Includes bibliographical references (pages 275-279) and index
Illustrations
portraitsillustrations
Index
index present
Literary Form
non fiction
Main title
Procession
Nature of contents
bibliographycatalogs
Oclc number
908990161
Responsibility statement
edited by Ruth Fine ; with contributions by David Acton [and five others]
Review
"This show, with nearly 100 works, should go a long way to repositioning Lewis in the canon of American postwar innovators." --The Guardian
Sub title
the art of Norman Lewis
Summary
The first comprehensive museum overview of Norman Lewis: a pivotal figure in American art, a participant in the Harlem art community, an innovator of Abstract Expressionism, and a politically-conscious activistProcession: The Art of Norman Lewis (1909-1979), is the first comprehensive museum overview of this influential artist, who explored multiple styles and whose extraordinary work spanned several decades of the 20th century. Norman Lewis was a pivotal figure in American art, a participant in the Harlem art community, an innovative contributor to Abstract Expressionism, and a politically-conscious activist. Bringing together works from major international public and private collections, the exhibition is organized with the full support of Lewis' family. It includes approximately 90 paintings and works on paper dating from the early 1930s through the late 1970s, as well as archival materials from the artist's estate. The exhibition highlights the diverse visual apparatus Lewis explored in parallel groups of works over the course of his career.The "procession" in the exhibition's title evokes Lewis' intriguing painterly process and highlights a prominent thread that runs through his oeuvre: the procession ritual. Processions were both celebratory and terrifying for Lewis, equally carrying allusions to carnevale and Ku Klux Klan marches. Such duality was at the heart of his artistic practice, which consistently employed modes of representation and abstraction; geometric and organic form; and emotional content ranging from joy to rage.Procession considers the complexity of Lewis' art in its entirety: It examines the role of figuration within Abstract Expressionism, considers how Lewis integrated social issues with abstraction, and highlights the surprising and expressive palette the artist championed throughout his career. -- Text from PAFA's website (see link)
Table Of Contents
Preface / David C. Driskell -- The spiritual in the material / Ruth Fine -- Drawings and paintings on paper -- Jammin' at the press / David Acton -- Prints checklist / David Acton and Ruth Fine -- Lewis on Lewis: On teaching. On art--Susan Stedman commentary -- Beyond category : before Afrofuturism there was Norman Lewis / Jeffrey C. Stewart -- The presence of Norman Lewis / Jacqueline Francis -- One world or none : hints of the future in Norman Lewis's abstract expressionism / Andrianna Campbell -- Norman Lewis: presence and absence in the exhibition history, 1933-1980 / Helen M. Shannon
resource.variantTitle
Art of Norman Lewis
Classification
Mapped to