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From Prada to nada, Lionsgate presents ; in association with Televisa and OddLot Entertainment ; an OddLot Entertainment/Gilbert Films/Lionsgate/Televisa/Hyperion Films production ; executive producers, James M. McNamara, Benjamin Odell, Deborah Del Prete ; produced by Gigi Pritzker, Linda McDonough, Rossana Arau, Gary Gilbert, Lisa Ellzey ; screenplay by Fina Torres & Luis Alfaro and Craig Fernandez ; directed by Angel Gracia

Label
From Prada to nada, Lionsgate presents ; in association with Televisa and OddLot Entertainment ; an OddLot Entertainment/Gilbert Films/Lionsgate/Televisa/Hyperion Films production ; executive producers, James M. McNamara, Benjamin Odell, Deborah Del Prete ; produced by Gigi Pritzker, Linda McDonough, Rossana Arau, Gary Gilbert, Lisa Ellzey ; screenplay by Fina Torres & Luis Alfaro and Craig Fernandez ; directed by Angel Gracia
Language
eng
Characteristic
videorecording
Intended audience
MPAA rating: Rated PG-13 for brief drug use and a sexual situation
Main title
From Prada to nada
Oclc number
713661178
Responsibility statement
Lionsgate presents ; in association with Televisa and OddLot Entertainment ; an OddLot Entertainment/Gilbert Films/Lionsgate/Televisa/Hyperion Films production ; executive producers, James M. McNamara, Benjamin Odell, Deborah Del Prete ; produced by Gigi Pritzker, Linda McDonough, Rossana Arau, Gary Gilbert, Lisa Ellzey ; screenplay by Fina Torres & Luis Alfaro and Craig Fernandez ; directed by Angel Gracia
Runtime
106
Summary
When their dad dies on his 55th birthday, Beverley Hills sisters Mary and Nora find themselves destitute, forced by a grasping sister-in-law to move in with their aunt in East L.A. Younger sister Mary is mortified, without Spanish, and scared of the vatos. Her sister convinces her to finish college, where she promptly decides that one of her T.A.s will be her ticket back to Rodeo Drive. Elder sister Nora, a law student, gets a job as a legal intern with Edward--brother of the grasping sister-in-law--as her supervisor. Slowly, the sisters realize what a rich place the barrio is, while enduring the bruises of the oldest contact sport--love
Table Of Contents
Dad's birthday -- Bankrupt -- East L.A. -- Life in the barrio -- Sacrifices -- Classifieds -- First day -- First kiss -- Deposition -- Celebration -- Promotion -- Truth hurts -- Speechless -- Accident -- Co-signer -- End credits
Target audience
general
Technique
live action
Classification
resource.originPlace
resource.cinematographer
resource.costumedesigner
resource.editorofmovingimagework
resource.filmdirector
composerexpression
resource.productiondesigner
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