DC Public Library System

Postures, body language in art, Desmond Morris

Label
Postures, body language in art, Desmond Morris
Language
eng
Bibliography note
Includes bibliographical references (page 308) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Postures
Nature of contents
bibliography
Oclc number
1112379391
Responsibility statement
Desmond Morris
Sub title
body language in art
Summary
"Every time an artist portrays a human subject, a decision has to be made about the posture of the figure. Will they be standing, sitting or reclining? Smiling, screaming or weeping? Will they be clasping their hands, crossing their arms or raising their fist? For the first time, celebrated surrealist and bestselling author Desmond Morris brings together his two fields of expertise - art and science - in a single volume. As well as exploring such familiar actions as the handshake, the nose-thumb and the dominant elbow, he draws us into an absorbing story of art detection, tracing the roots of a number of gestures that have baffled and intrigued the art world for years. Why, for example, did Napoleon pose for official portraits with his right hand thrust into his waistcoat, and what is the meaning of the double-split hand gesture displayed in El Greco's The Nobleman with his Hand on his Chest? Encompassing a vast range of visual creativity, from prehistoric figurines, Roman artefacts and Renaissance frescoes to contemporary art and graffiti, Postures: Body Language in Art unlocks new ways of looking at art. Surprising similarities are uncovered, as well as now rarely used gestures, so that even the most familiar works are suddenly seen in a new light."--, Provided by publisher
Table Of Contents
Greetings -- Blessings -- Status -- Insults -- Threats -- Distress -- Self-protection -- The erotic -- At rest
Classification
Mapped to

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