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Counterpoint, a memoir of Bach and mourning, Philip Kennicott

Label
Counterpoint, a memoir of Bach and mourning, Philip Kennicott
Language
eng
Bibliography note
Includes bibliographical references (pages 241-244)
resource.biographical
contains biographical information
Index
no index present
Literary Form
non fiction
Main title
Counterpoint
Nature of contents
bibliography
Oclc number
1138458871
Responsibility statement
Philip Kennicott
Sub title
a memoir of Bach and mourning
Summary
"A Pulitzer Prize- winning critic reflects on the meaning and emotional impact of a Bach masterwork. As his mother was dying, Philip Kennicott began listening to the music of Bach obsessively, and spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with memories of a difficult, complicated childhood. He describes the joys of mastering some of the pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies, and counterpoint that distinguish them. While exploring Bach's compositions, he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?"--, Provided by publisher
Classification
Content
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