Histories on screen : the past and present in Anglo-American cinema and television, edited by Sam Edwards, Michael Dolski and Faye Sayer
Resource Information
The instance Histories on screen : the past and present in Anglo-American cinema and television, edited by Sam Edwards, Michael Dolski and Faye Sayer represents a material embodiment of a distinct intellectual or artistic creation found in DC Public Library System.
The Resource
Histories on screen : the past and present in Anglo-American cinema and television, edited by Sam Edwards, Michael Dolski and Faye Sayer
Resource Information
The instance Histories on screen : the past and present in Anglo-American cinema and television, edited by Sam Edwards, Michael Dolski and Faye Sayer represents a material embodiment of a distinct intellectual or artistic creation found in DC Public Library System.
- Image
- https://secure.syndetics.com/index.aspx?type=xw12&client=sirsi&isbn=9781474217033&upc=&oclc=/LC.JPG
- Label
- Histories on screen : the past and present in Anglo-American cinema and television, edited by Sam Edwards, Michael Dolski and Faye Sayer
- Title remainder
- the past and present in Anglo-American cinema and television
- Statement of responsibility
- edited by Sam Edwards, Michael Dolski and Faye Sayer
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- The Moving Image as A Secondary Source: Truth, Authenticity and Narrative
- Faye Sayer ;
- 3.
- The Moving Image as Memory: Past and Present on Screen
- Sam Edwards
- Part Two.
- Using Film and Television: Case Studies:
- The Lens of History: Race, Class and Gender on Screen:
- 4.
- 'The Way We Are': Class and Britishness on Film
- Introduction
- Marcus Morris ;
- 5.
- Were Fires Started? Exploring Gender in British Cinema of the Second World War
- Corinna M/ Penniston-Bird ;
- 6.
- Screening Multicultural Britain: Blair, Britishness and Bend it Like Beckham
- Sarah Ilot ;
- 7.
- Mammy, Mandingo, Django and Solomon: A Century of American Slavery in Cinema from Uncle Tom's Cabin to Twelve Years a Slave
- Lydia Plath
- Sam Edwards and Amy Walling
- Reel Life and Real Life: Documenting and Narrating the Past:
- 8.
- The Empire at the Movies: India in Newsreels, c. 1911 to 1947
- Tilman Frasch ;
- 9.
- Truth and the Tudors: Screening and Interpreting the Early Modern Era
- Jonathan Spangler ;
- 10.
- Hollywood Musicals Make History
- Nick Gebhardt ;
- Part One.
- 11.
- 'Moving' Images: Educational Uses of D-Day Imagery
- Michael R. Dolski
- Part Three.
- Making Memory and Identity: The Politics and Purpose of Film and TV: Case Studies:
- 12.
- : Superhero Films and American National Identity
- Michael Goodrum ;
- 13.
- 'We Will Remember Them?': Television and British Memoray of the First World War, 1964-2014
- Thinking About Film and Television:
- Sam Edwards ;
- 14.
- Presenting the Past: New Directions in Television History
- Nicola Bishop
- 1.
- The Moving Image as Primary Source: Author, Text and Context
- Michael R. Dolski ;
- 2.
- Control code
- on1001807374
- Dimensions
- 24 cm.
- Extent
- xii, 338 pages
- Isbn
- 9781474217033
- Lccn
- 2017021638
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- illustrations
- Record ID
- u1026358
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